Sonic Highways – a terrific Foo Fighters Journey across America (an encore)

The following is an encore post of an earlier one I wrote in 2015. Since that time, the Foo Fighters have released an album called “Sonic Highways.” It is a hard rock album, but the songs have purpose, especially if you have seen the documentary series.

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For those who subscribe to HBO, there is a terrific series about American music called “Sonic Highways.” In essence, Dave Grohl and his band the Foo Fighters are traveling to various cities across America that have innovative music scenes. In essence, the Foo Fighters are tracing our musical roots. Thus far, I have seen episodes in Chicago, Seattle, New Orleans, Los Angeles and Austin and each have been wonderful and unique. Each show culminates in the Foo Fighters recording a song in a memorable venue such as Preservation Hall in New Orleans, in Steve Albini’s studio in Chicago or the original television studio for Austin City Limits. I highly recommend you check the series out.

In each of the five shows, they talk with performers who made it big in these locations as well as regionally, nationally and/ or globally. They speak of key influencers early on in the music scene there. So, it is both historical and current. For example, a key reason Seattle has been a big venue for new music is bands from Los Angeles and San Francisco did not like traveling up the coast several hours for only a few gigs. As a consequence, Seattle started its own music scene which culminated with Nirvana’s success but could trace its roots back to much earlier times.

In Chicago, they spoke at length with Buddy Guy about his career and work with his good friend Muddy Waters. They also spent a lot of time with Rick Nielson, the uniquely fabulous guitarist of Cheap Trick, who tied blues with punk rock and tremendous theater. Nielson actually joined the Foo Fighters on the recording at the end of the show, based on Guy’s quotes called “Something from Nothing.” Albini produced the Nirvana second album where he met Grohl when he was Nirvana’s drummer.

Austin is a melting pot of music from blues to country to rock to all of the above blended together. Musicians from Willie Nelson to Jimmy and Stevie Ray Vaughan to Gary Clark, Jr. to Billy Gibbons to Roky Erickson have graced the city and stages there. Plus some of the more colorful band names like “Thirteenth Floor Elevators,” “Moving Sidewalks” and “The Fabulous Thunderbirds”  were spawned there.

Austin City Limits exposed the Austin music scene even further and has been going strong for 40 years. Grohl was amazed the old theater and stage where ACL was filmed and recorded was still in tact and they performed the song for the show there. Grohl was amazed the grand piano that was used for the show was still there behind the seats covered with a tarp. This piano had been played by Fats Domino and many others and there it sat unused.

Like Austin, New Orleans is an amalgamation of different types of music and is where Jazz really got its roots and took off. One of the reasons for the blending of jazz, blues, zydeco, etc. is the eclectic mix of people who were allowed to commingle before it was acceptable in other places. While the venues are many, the Foo Fighters chose to perform at Preservation Hall, which is a tiny and old venue with one of the best house bands around. If you go, you will stand (in line and while listening), but it is worth it. I took my teen boys there as it is the only venue where they don’t serve alcohol.

I look forward to seeing more of these shows. I think they are still filming, but have already recorded versions in Washington, Nashville and New York and maybe other places. Please do yourself a favor and check it out.

A Night with Janis Joplin – a terrific tribute (an encore)

Last night watching a terrific blues and rock and roll guitarist and singer named Joanne Shaw Taylor, my wife and I were enthralled by her talent. And, when she brought out the talented Joe Bonamassa to sing and play with her, it was even more eventful. Yet, when she broke into a wonderful version of “Summertime,” my wife and I were reminded of the legendary Janis Joplin. Here is a reprise of a post after we saw a Janis Joplin tribute show a few years ago.

My wife and I ventured to Durham this week and caught a sensational tribute to the late Janis Joplin. starring Mary Bridget Davies as the lead. She does a breathtakingly exciting and vulnerable impersonation of Joplin. When she broke into “Summertime,” with her bluesy variation of the “Porgy and Bess” song, we knew we were in for a treat. But, when she rocked us with “Piece of My Heart,” we felt that Joplin was indeed with us as she left everything on the stage.

The show is not just about Joplin, as in character, Davies speaks of her influences ranging from Bessie Smith to Etta James to Aretha Franklin to Nina Simone. Four very talented singers occupied the stage in tribute to these wonderful talents. My wife and I both thought it was done, in part, as singing as Joplin would take a toll on you if you sang for two hours plus. We also heard the variation between the operatic and bluesy “Summertime.” Plus, Joplin was influenced by Broadway show songs that her mother would play as they cleaned the house every Saturday with her brother and sister.

Joplin had a unique voice that was powerful, but bluesy and soulful, at the same time. Like a great blues singer, her voice was indeed an instrument and she held nothing back. If I had to equate it with someone else, she would be a female James Brown, in that she would give it all with her voice, body and expressions  Plus, Davies did a great job with Joplin’s stage presence and frank language, so we truly felt we were seeing Joplin in person.

We heard renditions of “Cry Baby,” which was sensational, “Try, just a little bit harder,” which was spot on, and “Me and Bobby McGee,” which had us all singing along. She ended the show after the accolades and applause, with a capella version of “Mercedes-Benz,” with the only the drummer giving us a beat. The audience was right there with he as we sung every note.

If you get a chance, please go see this show. If you cannot, here is a link to a few “real” Janis Joplin songs. It is a tragedy she died so soon.

More movies to take a peek at

Here are a few more movies that I have enjoyed watching to varying degrees. Most of these were found on the free-service Tubi, but a few came from HBO and Showtime.

“Once upon a river” starring Kenadi DelaCerna, John Ashton, Tataka Means, Ajuawak Kapashasit, Coburn Gross, Lindsey Pulsipher and Kenn Head is about a half Native American teen whose father is killed. She travels up river to find her mother who left several years before. She befriends an elderly man who gives her shelter on her journey. The movie is compelling in the uphill struggle for this disenfranchised young woman as she seeks help.

“Nothing special” starring Julia Garcia Combs, Karen Black, Barbara Bain and David Hardie is about a woman (Garcia Combs) who is having difficulty taking care of her bipolar mother (Black) while trying to serve a demanding, but supportive boss (Bains) and find time for some kind of love life. The three lead women are each excellent in their roles. You feel for this young woman as she comes close to her wits end.

“Small town crimes” underlines what an imperfect hero looks like. John Hawkes is excellent as a suspended, alcohol and drug addicted cop trying to solve a murder case as an unregistered private investigator. Anthony Anderson and Octavia Spencer are his only support, with Spencer playing his foster sister. Michael Voltan, Clifton Collins, and Robert Frasler play key roles.

“Peaks and valleys” starring Kitty Mahoney, Kevin T. Bennett and Ted Carney is also excellent as it shows Bennett taking care of a woman in a mountain cabin after he witnesses her body being cast out of a small plane into a lake. This cantankerous man nurses her back to health and teaches her how to hunt and fish. She will return the favor as his own issues become apparent. Given the verbal volleying back and forth, the movie remains interesting.

“Road to Perth” starring Tommy O’Brien, Hannah Lehman, Ellen Grimshaw and Kat Kaevich is an Australian movie about an American who travels alone after his girlfriend declines his marriage proposal. He is intent on taking pictures and interviewing Australians along his journey. He befriends and gives a ride from Adelaide to Perth to a woman who is the sister of an internet friend as she scatters her Dad’s ashes in places he held dear. Along the way, he speaks by phone with his own sister who offers milepost check-ins as the travelers become mutually infatuated.

“The Honeymooners” (not that one) starring Jonathan Byrne, Alex Reid, Justine Mitchell and Conner Mullen is an Irish film about a man who gets stood up at his wedding (at least she tells him) and after drinking too much of his wedding champagne pays a waitress who just got fired (and whose married boyfriend can’t be with her) to drive him to a cottage on the coast. They butt heads often and the say hurtful things,but do have enough fun and good conversation as their hard feelings soften. Like the “Road to Perth,” the movies are more about the journey and travails, where two people in angst can lift each other up.

“Wanderland” starring Tate Ellington, Tara Summers, Victoria Clark, Harris Yulin and a host of others is about a relatively rational man who accepts an invitation to house sit over a weekend in a Long Island coastal village. He befriends a charming woman on the beach and she invites him to a party later, which he surprisingly declines, but we learn later he too often says no. So, he goes from party to party meeting a wide assortment of characters as he tries to track down this woman . The name of the movie connotes wandering, but the similarities to a male Alice in Wonderland are not unfounded. His journey and the bohemian characters make you want to watch.

“Jackie and Ryan” starring Katherine Heigl, Ben Barnes and Emily Alyn Lind is about a hobo traveling musician trying to put a band back together. He winds up in a beautiful mountain town and befriends a woman who has had success as a musician, but has moved back home with her daughter to live with her mother as she is finalizing her divorce. The movie is a little trite, but the music is good and we learn Heigl can sing, especially with a lovely duet with her daughter played by Lind. Barnes also sings a poignant song that he is encouraged to finish by Heigl.

“Bonneville” starring Jessica Lange, Kathy Bates, Joan Allen, Christine Baranski and Tom Skerrit offers an interesting road trip plot as Lange takes her husband’s ashes to a funeral arranged by her step-daughter. “Surviving love” stars actual life married couple Ted Danson and Mary Steenburgen as they get stranded in the Maine mountains and is worth the watch. “Christmas Eve” with Loretta Young, Arthur Hill and Trevor Howard offers a cheesy, but feel good movie about a dying woman wanting to see her grandchildren who escaped from her controlling son’s grip. Finally, we just watched “Being Rose” with Cybil Shepherd and James Brolin who play late in life lovers as Shepherd is dying.

Each of these movies is worth the watch and I don’t think any have things that are too risque for younger eyes, even the two jilted lover stories, although the adult themes and language on some may need to be factored in. The ones in the final paragraph are neat as they give a glimpse of actors who are later in their careers. Let me know if you have seen any of these.

Tuesday’s gone

The tragic southern rock band Lynyrd Skynyrd sang a mournful ballad penned by Allen Collins and Ronnie Van Zant called “Tuesdays’ gone.” Here are the first two stanzas and chorus about love lost.

“Train roll on
On down the line, won’t you
Please take me far away

Now I feel the wind blow
Outside my door, means I’m
I’m leaving my woman at home, Lordy

Tuesday’s gone with the wind
Oh, my baby’s gone, with the wind

The tragic part is the band suffered a plane crash which killed their lead singer and co-writer of this song, Ronnie Van Zant and two others band members. Here is quick summary from Rolling Stone. “The legacy began some 41 (now fifty) years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Billy Powell, Leon Wilkeson and Hughie Thomasson, yet Lynyrd Skynyrd rocks on with original member Gary Rossington…”

Lynryd Skynyrd was a talented group of musicians who brought a blues feel to rock and roll. They chose a tailored name of a coach at their high school who tormented them named Leonard Skinner. They covered other songs such as “T for Texas” by Jimmie Rodgers and “Call me the breeze” by J.J. Cale and blended their own music into the mix, most notably “Freebird,” “Sweet home Alabama,” and my favorite, “Simple man.” They were one of the few bands to open for the Rolling Stones that got as many cheers as the main band.

Unfortunately, their megahits – “Freebird” and “Sweet home Alabama” get overplayed at the expense of a large volume of great work. If I picked one song to highlight the band, it would be “Call me the breeze.” Cale has written many great songs covered by artists like Eric Clapton. If you prefer ballads, listen to “Tuesday’s gone” and “Simple man.”

So, if you are unfamiliar with them, give Lynyrd Skynyrd a listen. If you are, please enjoy.

Documentary on Sheryl Crow is worth the watch

Latifah Muhammed in “Billboard Magazine” wrote the following summary piece about the excellent new documentary from Showtime about the life and career of singer/ songwriter and producer Sheryl Crow.

  • Sheryl CrowSheryl CrowAmerican musician, singer, songwriter, and actress

“Directed by Amy Scott, Sheryl, features a mix of new interviews with Crow, behind-the-scenes footage on the road and in her studio and never before seen archival footage spanning 20 years of touring along with appearances from Keith Richards, Laura Dern, Joe Walsh, Emmylou Harris, Brandi Carlile and more.

From battling sexism to depression, perfectionism, cancer, and the price of fame, Sheryl pulls back the curtain on the Grammy-winner incredibly story. The documentary made its world premiere at SXSW in March.”

Her story is one of persistence and perseverance. She kept knocking on doors until someone finally gave her a chance. And, once she got there, she had to persevere to keep her records and performances at a high level, while battling the other life challenges many face as well as few of her own due to being in front of cameras and microphones.

Not to give too much away, Crow and others are quite candid about some of the mistakes and hardships she faced. She also is open about how her albums and songs got produced, tapping resources she met along the way. For example, I was unaware she was on tour with Michael Jackson as his co-singer during the infamous Pepsi tour. There she met her best friend and manager Scooter Weintraub, who would be by her side on her future journey.

She tells us of her bouts with sexual harassment, where she was advised to grin and bear it, she tells of how difficult it is and was for a woman to get produced, she tells of backlash by using a poor choice of words in an interview with David Letterman, she tells of how she battled depression and even suicidal thoughts, she tells of her bouts with cancer, and she tells of her mother’s encouragement to adopt two young boys (Levi and Wyatt) to start a family.

The most powerful part of the story is when she speaks of hitting rock bottom with her depression. She notes she DOES NOT remember penning or recording this song called “The Weather Channel,” which she included on an album. She performed it in the documentary with just her acoustic guitar. She notes she must have written it as she included Winston Churchill’s reference of “black dog” to his depression. Here are the first few lines.

“Sunny morning
You can hear it
Siren’s warning
There is weather on both sides
And I know it’s coming
Just like before
There’s a black dog
That scratches my door
He’s been growling my name saying
You better get to running”

Her songs are milestones for many women (and men), even young ones who were born after some of the songs were penned. She was stunned that young girls and boys knew her songs word for word at concerts. Her hits are many, but a quick list of the top ones includes:

“All I wanna do” – Her first hit based on a poem by Wyn Cooper

“Soak up the sun” – written on a plane by her friend Jeff Trott

“My favorite mistake”

“If it makes you happy” – an anthem which builds to a huge audience chorus

“Strong enough” – she sings a duet with Stevie Nicks in the documentary which is excellent

“Leaving Las Vegas” – in a nervous interview, she did not give credit to the primary author of this song and she got backlash for it

“A change would do you good”

Crow still inspires many today. The interviews with stars, producers, family and friends reveal how well she is thought of. Give it a watch, even if not a huge fan. It is worth the effort to see someone speak so candidly about her ups and downs.

Nowhere Boy

Being a huge Beatles’ fan, I stumbled on to a movie released in 2009 called “Nowhere Boy” after the John Lennon penned song “Nowhere Man.” The movie takes us through the troubled life of the teenage John just as he is about to launch a musical career. It should be noted this career seemed very unlikely at the start of the movie.

Aaron Taylor-Johnson does an admirable job as the troubled Lennon who was not the best of students, while he dealt with his Uncle George’s death and the reemergence of his mother Julia into his life. Two women, though, play a vital role in his life – his aunt Mimi (played by Kristin Scott Thomas) who raised him with George (played by David Threlfall) in her sister’s absence and his mother played by Anne-Marie Duff.

The story focuses mainly on these two sisters and John. Whether the movie tells the story 100% correctly, it does impart the needed theme his mother was not around for long stretches and his father was nowhere to be seen. When Julia got back together with him, it was more like she was a big sister than a mother aiding his truancy and rebellious tendencies. But, she also taught him about Rock-n-Roll and how to play the banjo, which he jumped at. Apparently, she was gifted and could pick up playing pretty quickly, a trait he seemed to have as well.

Mimi was the sober mother figure doing her best. She came across as not endearing, but John realized eventually how important she was in his life seeing his mother being less responsible. Mimi would buy him his first (and second) guitars, but she also sold the first one when he had failing grades. That made him none too happy, especially when his group The Quarrymen” had a gig that night. And, while Julia loved Rock-n-Roll, Mimi would prefer Tchaikovsky as listening music.

A young Paul McCartney is played by Thomas Brodie-Sangster. George Harrison (played by Sam Bell) makes a brief entrance, but for this movie he is put in the background. Josh Bolt plays a band member and friend Pete and Olivia Lovibond plays Marie, an earlier love interest. David Morrissey plays a key role as Julia’s boyfriend and father to John’s stepsisters. The movie is directed by Sam Taylor-Johnson and was written by Julia Baird and Matt Greenhaight. It should be noted Julia Baird is John’s youngest half-sister.

The movie is worth the watch whether you are Beatles’ fan or not. Rotten Tomatoes gives in an 80, e.g. It is easy to see why Lennon had a constant chip on his shoulder as a youth and how he had to become a better person to harness his talent. And, per the movie his observation to Mimi that you and Julia are still sisters, is a key point in his and their relationship.

Bat out of Hell – one of the finest rock and roll albums ever by Meat Loaf, may he RIP

I woke up to the news that Marvin Lee Aday had passed away. Better known as Meal Loaf, he was behind some of the most innovative rock and roll music. Here is a reprise of an old post to honor him and his Magnum Opus.

When you read this title, you may do a few double takes if you are unfamiliar with the music or the performer. Who is Meat Loaf and why should I listen to such an odd titled album? Yet, “Bat Out of Hell” is end to end one of the finest rock albums to which I have ever listened. And, it almost did not get promoted due to its theatrical set of songs during the Disco era. Did I tell you Meal Loaf, (Marvin Lee Aday) could belt out a song like few others?

Per Wikipedia, “‘Bat Out of Hell‘ is the 1977 debut album by American rock singer Meat Loaf and composer Jim Steinman. It was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974. The album was recorded during 1975–1976 at various studios… produced by Todd Rundgren, and released in October 1977 by Cleveland International/Epic Records. Its musical style is influenced by Steinman’s appreciation of Richard Wagner, Phil Spector, Bruce Springsteen and The Who. Bat Out of Hell has spawned two Meat Loaf sequel albums:…Bat Out of Hell is one of the best-selling albums of all time, having sold over 50 million copies worldwide. It is certified 14x Platinum by the Recording Industry Association of America.”

Every song on the album has its own merits.. The songs tend to focus on young love, angst, passion et al along with some adult realizations the song characters figure out along the way. The song that was the biggest hit off the album is not its best song, but is pretty darn good – “Two out of three ain’t bad.” One reason others did not get played as much as singles is their length – the songs each told stories. Let me highlight three of the songs.

Two out of three ain’t bad – the chorus tells an all too familiar story about lust and love, but there is more to the song than that.

“…And maybe you can cry all night
But that’ll never change the way that I feel
The snow is really piling up outside
I wish you wouldn’t make me leave here

I poured it on and I poured it out
I tried to show you just how much I care
I’m tired of words and I’m too hoarse to shout
But you’ve been cold to me so long
I’m crying icicles instead of tears

And all I can do is keep on telling you
I want you
I need you
But there ain’t no way
I’m ever gonna love you
Now don’t be sad
‘Cause two out of three ain’t bad
Now don’t be sad
‘Cause two out of three ain’t bad”

If you focus on the chorus, you miss out that the lead character tried to make it work. What I also like is the song is sung in first person, so it is not gender specific. This could easily be a woman singing about a man or even someone who does not identify as either.

Paradise by the Dashboard Light – is the best song, in my view. It tells a story and involves in the recording Ellen Foley, who is much tinier than Meat Loaf, but whose voice can match his needed gravitas for this passionate song. And, when I say passionate, I mean two kinds – lust and eventually spite. I would add that talented Karla DeVito is seen in live performances, but the original recorded voice is Foley’s. Here are a few snippets.

“I remember every little thing
As if it happened only yesterday
Parking by the lake
And there was not another car in sight
And I never had a girl
Looking any better than you did
And all the kids at school
They were wishing they were me that night
And now our bodies are oh so close and tight
It never felt so good, it never felt so right
And we’re glowing like the metal on the edge of a knife
Glowing like the metal on the edge of a knife.”

This sets the stage, but the song describes what happens by the dashboard light using a famous baseball announcer for the New York Yankees, Phil Rizzutto. You hear Rizzuto’s voice as he broadcasts a game with the muffled foreplay going on in the background. To me, the best part of the song is when Foley’s character stands her ground and asks for a pledge of love.

“Stop right there!
I gotta know right now!
Before we go any further!
Do you love me?
Will you love me forever?
Do you need me?
Will you never leave me?
Will you make me so happy for the rest of my life?
Will you take me away and will you make me your wife?”

From there, I will leave it to your imagination, but the ending is worth the wait..

Bat Out of Hell – is also a story telling song as a lover leaves town, but the regret seems to drive him to be careless on the road. There are some lyrics my wife does not care for in the song as they are gruesome, but the song is vintage rock and roll.

“…Oh baby, you’re the only thing in this whole world
That’s pure and good and right
And wherever you are and wherever you go
There’s always gonna be some light”.

But I gotta get out
I gotta break it out now
Before the final crack of dawn
So we gotta make the most of our one night together
When it’s over you know
We’ll both be so alone

Like a bat out of hell
I’ll be gone when the morning comes
When the night is over
Like a bat out of hell
I’ll be gone, gone, gone
Like a bat out of hell
I’ll be gone when the morning comes.”

Two other songs which are also strong are “All revved up and no place to go” and “You took the words right out of my mouth.”

Give this album a try. When I read those lists of greatest albums, this one usually makes a top twenty list. It is different. It is excellent, if you are a rock and roller.

Note two sidebars: Meat Loaf appeared in the movie “The Rocky Horror Picture Show” in a small but pivotal role and Ellen Foley is also known for being on the comedy TV show “Night Court” with Harry Anderson.

Trying to get to heaven before they close the door (a reprise tribute to Bob Dylan courtesy of Joan Osborne)

The following is a repeat of an earlier post from before the pandemic It was our last concert before the world changed.

Joan Osborne is an under-appreciated singer, songwriter, who is best known for her song “If God was one of us.” Bob Dylan, of course, is a Nobel Laureate who can also write compelling music to go with his beautifully scripted words.

My wife and I traveled to Atlanta to see Osborne sing a host of Dylan’s songs in tribute. She also has produced a CD of such songs. Osborne has a sensual and sensuous style in her singing that adds seasoning to Dylan’s music. She also hand-picked songs that resonated with her, selecting some deeper cuts, a few of which we did not know.

Here are some of the highlights:

“Buckets of Rain” – She said Dylan wrote several love songs that do not get acclaim.   We were unfamiliar with this one, but it is a  treat live and as a recording,

“Tangled up in Blue” – This is my favorite Dylan song and she did more than justice to it. Her pacing and style revealed the saga portrayed by Dylan’s words.

“Highway 61 Revisited” – This is a great song, but an even better one live. She makes it more human, beginning with the example of Abraham.

“Quinn the Eskimo” – Many people do not know Dylan wrote this classic. She opened her show with this one, so we, had to think for a second.

“Tryin’ to get to Heaven” – This was my favorite version of a Dylan song. She accentuated with a strategic pause each time “before they close the door.”

“Gotta Serve Somebody” – She excelled on this classic Dylan song. It was much more sensual and bluesy than Dylan could offer with his singing.

“Masters of War” – This was another Dylan song which was unfamiliar to us, but it is classic Dylan in protest chastising those who say you can win a war without costs.

“Don’t think twice, it’s alright” – When I think of this one, I think of Peter, Paul and Mary paying homage to Dylan. She covered it well.

She did not sing these songs during the concert, but she includes them in her CD.

“Dark Eyes”
“You’re gonna make me lonesome when you go”
“Rainy Day Women”

She probably dropped them as she sang a couple of songs she has yet to release along with her biggest hit. If you do not know Osborne, download or purchase her CDs. “Relish” is her second CD which won a Grammy. Our favorite is “Righteous Love,” which we saw her perform on Austin City Limits. Or, just buy her “Songs of Bob Dylan” CD.

Since it was a small venue, we got a chance to speak with her afterwards. She is very gracious and down-to-earth. And, definitely worth the listening.

Bat Out of Hell – one of the finest rock albums from a guy named Meat Loaf

When you read this title, you may do a few double takes if you are unfamiliar with the music or the performer. Who is Meat Loaf and why should I listen to such an odd titled album? Yet, “Bat Out of Hell” is end to end one of the finest rock albums to which I have ever listened. And, it almost did not get promoted due to its theatrical set of songs during the Disco era. Did I tell you Meal Loaf, (Marvin Lee Aday) could belt out a song like few others?

Per Wikipedia, “‘Bat Out of Hell‘ is the 1977 debut album by American rock singer Meat Loaf and composer Jim Steinman. It was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974. The album was recorded during 1975–1976 at various studios… produced by Todd Rundgren, and released in October 1977 by Cleveland International/Epic Records. Its musical style is influenced by Steinman’s appreciation of Richard Wagner, Phil Spector, Bruce Springsteen and The Who. Bat Out of Hell has spawned two Meat Loaf sequel albums:…Bat Out of Hell is one of the best-selling albums of all time, having sold over 50 million copies worldwide. It is certified 14x Platinum by the Recording Industry Association of America.”

Every song on the album has its own merits.. The songs tend to focus on young love, angst, passion et al along with some adult realizations the song characters figure out along the way. The song that was the biggest hit off the album is not its best song, but is pretty darn good – “Two out of three ain’t bad.” One reason others did not get played as much as singles is their length – the songs each told stories. Let me highlight three of the songs.

Two out of three ain’t bad – the chorus tells an all too familiar story about lust and love, but there is more to the song than that.

“…And maybe you can cry all night
But that’ll never change the way that I feel
The snow is really piling up outside
I wish you wouldn’t make me leave here

I poured it on and I poured it out
I tried to show you just how much I care
I’m tired of words and I’m too hoarse to shout
But you’ve been cold to me so long
I’m crying icicles instead of tears

And all I can do is keep on telling you
I want you
I need you
But there ain’t no way
I’m ever gonna love you
Now don’t be sad
‘Cause two out of three ain’t bad
Now don’t be sad
‘Cause two out of three ain’t bad”

If you focus on the chorus, you miss out that the lead character tried to make it work. What I also like is the song is sung in first person, so it is not gender specific. This could easily be a woman singing about a man or even someone who does not identify as either.

Paradise by the Dashboard Light – is the best song, in my view. It tells a story and involves in the recording Ellen Foley, who is much tinier than Meat Loaf, but whose voice can match his needed gravitas for this passionate song. And, when I say passionate, I mean two kinds – lust and eventually spite. I would add that talented Karla DeVito is seen in live performances, but the original recorded voice is Foley’s. Here are a few snippets.

“I remember every little thing
As if it happened only yesterday
Parking by the lake
And there was not another car in sight
And I never had a girl
Looking any better than you did
And all the kids at school
They were wishing they were me that night
And now our bodies are oh so close and tight
It never felt so good, it never felt so right
And we’re glowing like the metal on the edge of a knife
Glowing like the metal on the edge of a knife.”

This sets the stage, but the song describes what happens by the dashboard light using a famous baseball announcer for the New York Yankees, Phil Rizzutto. You hear Rizzuto’s voice as he broadcasts a game with the muffled foreplay going on in the background. To me, the best part of the song is when Foley’s character stands her ground and asks for a pledge of love.

“Stop right there!
I gotta know right now!
Before we go any further!
Do you love me?
Will you love me forever?
Do you need me?
Will you never leave me?
Will you make me so happy for the rest of my life?
Will you take me away and will you make me your wife?”

From there, I will leave it to your imagination, but the ending is worth the wait..

Bat Out of Hell – is also a story telling song as a lover leaves town, but the regret seems to drive him to be careless on the road. There are some lyrics my wife does not care for in the song as they are gruesome, but the song is vintage rock and roll.

“…Oh baby, you’re the only thing in this whole world
That’s pure and good and right
And wherever you are and wherever you go
There’s always gonna be some light”.

But I gotta get out
I gotta break it out now
Before the final crack of dawn
So we gotta make the most of our one night together
When it’s over you know
We’ll both be so alone

Like a bat out of hell
I’ll be gone when the morning comes
When the night is over
Like a bat out of hell
I’ll be gone, gone, gone
Like a bat out of hell
I’ll be gone when the morning comes.”

Two other songs which are also strong are “All revved up and no place to go” and “You took the words right out of my mouth.”

Give this album a try. When I read those lists of greatest albums, this one usually makes a top twenty list. It is different. It is excellent, if you are a rock and roller.

Note two sidebars: Meat Loaf appeared in the movie “The Rocky Horror Picture Show” in a small but pivotal role and Ellen Foley is also known for being on the comedy TV show “Night Court” with Harry Anderson.


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Something to talk about

Any group of people, whether it is business, high school, church, or some other association, will have people that perpetuate the gossip and rumor mill. This attribute is as old as the hills. People are going to talk.

One of our favorite artists, country-blues singer and accomplished slide guitarist, Bonnie Raitt, had a huge hit about this very subject, “Something to Talk About.” Here is middle verse and the chorus to give you the gist of a co-worker slowly realizing that another co-worker seems to be as smitten as she is.

“I feel so foolish, I never noticed
You act so nervous, could you be fallin’ for me?
It took the rumor to make me wonder,
Now I’m convinced that I’m goin’ under.
Thinkin’ ’bout you every day,
Dreamin’ ’bout you every night.
I’m hopin’ that you feel the same way,
Now that we know it, let’s really show it darlin’.

Let’s give ’em somethin’ to talk about
(Somethin’ to talk about)
A little mystery to figure out
(Somethin’ to talk about)
Let’s give ’em somethin’ to talk about
How about love?”

I love this song as she turns the rumor mill on its head. The rumors about them “standing a little too close” made her think and realize that is exactly what they were doing. The video which aired is clever, with Dennis Quaid acting as the interested and interesting co-worker.

Rumors at work do fly. It is hard to follow the advice of Dr. Wayne Dyer and defend the absent. But, that is what we should do. Yet, I shared the story of how a colleague was in a group dinner with a new senior executive who talked about everyone when each left the table. My friend said he did not want to go to the restroom as she would talk about him. It is hard to defend the absent when you might be next.

It is also hard to date someone at work for this reason. Yet, with limited social time, it is not uncommon to meet you future spouse at work. My wife worked at a small company that sublet some of our office space. What tickled both of us is a colleague of mine took credit for introducing us, when that was not the case. She actually told my future wife I was dating someone, which was not true, so she almost waylaid our plans.

So, if you do date someone at work, keep the PDAs to a minimum. More importantly, be prepared to ignore what people are saying as it is none of their business. As a friend, who actually met her husband at work, told her high school students she counseled, “if you do not take offense, you are not offended. Don’t cede your power.”

So, if you give them something to talk about, be OK with being the subject matter.