What is that song again?

“You’ve gotta lot of nerve” sings Bob Dylan over and over again in one of the greatest put down songs ever written. But, that is not the name of the song, it is “Positively 4th Street.” Simon and Garfunkel sang of “feelin’ groovy,” but the name of the song is not that repetitive lyric, it is “The 59th Street Bridge Song.”

And, one of my favorite songs written by Kenny Loggins speaks to “Even though we ain’t got money, I’m so in love with you honey” in its chorus. But, the name of the song is “Danny’s Song.” It was written for his brother and covered well by Anne Murray, although I prefer the Loggins and Messina version.

Other song favorites where the title cannot be found in the lyrics include:

– “A Day in the Life” by The Beatles

– “After the Gold Rush” by Neil Young

– “Bohemian Rhapsody” by Queen

– “Baba O’Riley” by The Who

– “Annie’s Song” by John Denver

– “Immigrant Song” by Led Zeppelin

The list is actually not a short one. Yet, it does complicate things when the chorus or a clever song verse is how the song is remembered, not the title. Fortunately, Google understands this and will get you to the right place. If you Google “You fill up my senses,” you can find Denver’s “Annie Song.” If you Google “I read the news today,” you would be steered to “A Day in the Life.”

The one exception to my list might be “Bohemian Rhapsody,” even before the movie, given the memorable title. This may be due in part to the cult like status of the song or its length. Yet, you could find it with searching on several of its bizarre lyrics.

If you Google “They paved paradise and put up a parking lot, you can find Joni Mitchell’s “Big Yellow Taxi.” Now, technically Mitchell’s song does not belong on the list, as taxi does appear in the final stanza. Yet, I include it as throughout the song are environmental references. It is actually disappointing those references are metaphors for missing her “old man” after the big yellow taxi takes him away.

What are some of your favorites where the title cannot be found in the song? Feel free to take the same license as I did with Joni Mitchell’s song.

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Sgt. Pepper turns fifty

Fifty years ago this month, what is regarded by Rolling Stone Magazine as the greatest album of all time was released – The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band.” Airing on PBS is a BBC produced show called “Sgt. Pepper’s Musical Revolution,” hosted by musician Howard Goodall.

The show is worth the watch as Goodall highlights the innovation and storytelling behind the album. Being a musician, he demonstrates a few items of note and highlights what then was truly cutting edge. In essence, The Beatles had grown tired of touring where they and their fans could not hear their music over their screaming fans. John Lennon, Paul McCartney, George Harrison and Ringo Starr wanted to get their creative juices flowing back in the studio and, boy, did they ever.

Working with record producer George Martin, The Beatles told a series of stories about their youth and observations about current life. They blended instruments such as the harmonium, which was a small organ for churches, with piccolo trumpets with sitars with nine pianos playing at once.

I don’t want to steal the thunder of the show, but let me highlight two items . To me, the most avant grade song is “A Day in the Life,” which blends a McCartney song about daily routine with a Lennon song about select news of the day. But, to blend these two songs together, they needed a bridge. So, they used a concept called accidental music and had fourteen orchestra members start at the lowest note possible and build slowly to a certain common level giving the musician the option of being just below, at or above that level. It was pure genius.

The second item is the song “Within you, without you,” by George Harrison. He actually played and orchestrated Indian musicians to play in a somewhat Western style. Goodall had some musicians play the song in an Eastern style, which produces a different sound, But, he notes Harrison wanted to blend two cultures together introducing Indian music to westerners. ┬áHe felt westerners were not ready for a total immersion. It is fascinating.

There are many surprising observations that show how cutting edge this album was. The fact that some history and actual people and places are recurring themes makes the music live even more. “Penny Lane” is an actual place, “When I’m 64,” was about McCartney’s father, “Lovely Rita,” was an actual meter maid, and “Strawberry Field Forever,” was an actual park where Lennon played when he was young. It should be noted that while recorded at the same time, “Strawberry Field Forever” and “Penny Lane,” were released as a two A-sided single as Brian Epstein, their manager, did not want too much time to elapse since their previous release, so they were not on Sgt. Pepper.

Please give the album a listen again or for the first time. And, do watch the PBS special either here or on the BBC. “We’re Sgt. Pepper’s one and only lonely hearts club band,” they sang toward the end.