RESPECT – a movie worth watching about Aretha

My wife and I saw the terrific biopic about Aretha Franklin called “RESPECT” yesterday starring Jennifer Hudson. Hudson does a highly commendable job as Franklin, but that is less a surprise given her credentials and that Franklin asked her to play the role before she passed.

The acting is excellent with Forest Whittaker playing her dominant father, Audra McDonald playing her mother, Marlon Wayans as a first love interest, and Skye as a young Aretha. The movie pulls few punches showing Franklin’s shortcomings (such as her bout with alcohol) as well as her many successes.

However, the music, its creation and its performance, is what got folks clapping in the theater. Seeing Hudson as Franklin work with musicians to create “I’ve never loved a man” or with her sisters to adapt Otis Redding’s “Respect” is worth the ticket by themselves. Seeing Hudson perform “Natural Woman” and “Amazing Grace” are quite eventful.

The movie is directed by Liesl Tommy off the screenplay written by Tracey Scott Wilson based on the story by Callie Khouri. I will not give any more of the plot away, but simply encourage you to go see it.

I’ve Loved these Days – a tribute to Billy Joel (encore)

Our friend Jill just highlighted Billy Joel’s “Piano Man” yesterday. It got me reminiscing about an old post that I will repost today. The following highlights some of Joel’s lesser known songs.

So before we end and then begin
We’ll drink a toast to how it’s been
A few more hours to be complete
A few more nights on satin sheets
A few more times that I can say
I’ve loved these days

While the choice is so very hard, this is the end to my favorite Billy Joel song – “I’ve Loved These Days.” It is not his most famous, but like many, it is very pure and heartfelt. I have not written a tribute to Billy Joel before, as it is quite difficult to hone down to a list of songs to highlight. One of these days, I will attempt The Beatles, Rolling Stones or Bruce Springsteen, but for now let my highlight one of the best songwriters of our time, William Martin Joel.

I like this song for the somber remembrance and the quiet echo of we are mortal, so let’s make the best of it. He has so many songs like this which have both meaning and wonderful music to highlight the words. As with other tribute posts, I am going to stay away from the biggest hits, yet I will mention some below. Another melancholy song along these same lines is “Summer, Highland Falls.” Here is a brief taste of lyrics:

How thoughtlessly we dissipate our energies
Perhaps we don’t fulfill each others fantasies
And as we stand upon the ledges of our lives,
With our respective similarities
It’s either sadness of euphoria

This song is a little more unique, as his wordsmithing and tune is catchy, but the words are so powerful. I take away from this song that none of us are perfect, so let’s do the best we can to fulfill each other. The choice is sadness or euphoria.

Another favorite is one of several where he shows his love for New York City. This if from “A New York State of Mind”:

Some folks like to get away,
Take a holiday from the neighborhood.
Hop a flight to Miami Beach or to Hollywood.
But I’m takin’ a Greyhound on the Hudson River line.
I’m in a New York state of mind.

While many of his songs are reflective and focus on our imperfect humanity (“Honesty”, “Captain Jack”, and “The Stranger”, Joel is quite the romantic and nostalgic person. A wonderfully written song, which needs to be listened to carefully is “She’s Always a Woman”. Here is a very small sample, as you cannot take this song out of context:

But, she’ll bring out the best
And the worst you can be
Blame it all on yourself
Cause she’s always a woman to me

The message to me is his lover is her own person. She will think for herself, so it is up to you to understand this and, if you do, then you can have a wonderful, meaningful relationship. If you don’t, then you better get out-of-the-way, as she wants someone who will love her for herself and not who you want her to be.

The romantic comes out in “Just the Way You Are”, “Tell Her About It”, “You’re My Home”, “Uptown Girl” and “She’s Got a Way”. But, the nostalgic songs are great as well. “We Didn’t Start the Fire”, “It’s Still Rock and Roll to Me”, “Only the Good Die Young” and “The Ballad of Billy the Kid” are excellent samples. One of my favorite nostalgic songs is “Scenes from an Italian Restaurant” the song about Brenda and Eddie who were the king and queen of the prom, got married but divorced early and could never go back again. The song starts and ends at our favorite Italian place with a melancholy accordion playing in the background:

A bottle of red, and bottle of white
Whatever kind of mood you’re in tonight
I’ll meet you anytime you want
In our Italian Restaurant

Joel is most known for his first, most memorable hit “Piano Man” although he did make the charts earlier with “The Entertainer” an appropriately named song. Piano Man is sung as limerick and tells the tales of grandeur of all of the folks at the bar. The song concludes:

And the piano sounds like a carnival. And the microphone smells like a beer. And they sit at the bar and put bread in my jar. And say “Man what are you doing here?”

Sing us a song you’re the piano man. Sing us a song tonight.  Well we’re all in the mood for a melody. And you’ve got us feeling alright

Thank goodness, Joel was given a much bigger platform to sing than this piano bar. I have left off so many songs, many of my favorites. I did not want to make this post a list, as it easily could have been. If you have not truly discovered Joel click here: http://www.billyjoel.com. If you have and want to wax nostalgic, go for a ride on the Hudson River Line with Billy as well. I will leave you with some lines from “Everybody Has a Dream”:

So let me lie and let me go on sleeping
And I will lose myself in palaces of sand
And all the fantasies that I have been keeping
Will make the empty hours easier to stand
I know that everybody has a dream
Everybody has a dream
And this is my dream, my own
Just to be at home
And to be all alone…with you.

Thanks Billy. Like you “I’ve Loved These Days.”

Billy Joel – I’ve Loved These Days (Audio) – YouTube

A few movies worth a nostalgic look (a revisit)

My wife and I rented few new releases and enjoyed them, but felt nostalgic about some older movies. “Gone Girl” was good, but the characters were not very redeeming. “Interstellar” was good for the relationship between father and daughter, but was on the bizarre side toward the end. Of the three, we did enjoy “Wild” the most with Reece Witherspoon hiking the Pacific Crest Trail to find herself, but Laura Dern helps the movie greatly in flash backs as her mother.

I was thinking about some older movies that may be under the radar screen on searches for movies, but offer a sense of nostalgia as well as coming of age. So, in no particular order:

Breaking Away – made in 1979 and won an Oscar for best screenplay. Dennis Christopher, Dennis Quaid, Jackie Earle Haley and Daniel Stern star in a movie about four kids who have graduated high school and are trying to find themselves in Bloomington, Indiana where Indiana University is located. Christopher is fascinated by all things Italian as he has become a world-class bicyclist and the Italian team is the best and coming to town. Paul Dooley, as the former stone cutter and now used car salesman, steals many a scene.

Summer of 42 – made in 1971 and won an Oscar for best music score. Jennifer O’Neill, who every boy falls in love with in the movie and audience, Gary Grimes, Jerry Houser star in the movie based on a summer on the Nantucket shore. The boys are coming of age during the onset of WWII and O’Neill’s husband has been deployed. The story is told from Grimes’ character’s perspective looking back at that summer as he discovers love and loss.

American Graffiti – made in 1973 by George Lucas and starring a huge cast of soon to be famous young actors – Richard Dreyfus, Ron Howard (was only known as Opie at that time), Cindy Williams, Paul Le Mat, Mackenzie Phillips, Harrison Ford, Charles Martin Smith, Bo Hopkins, Candy Clark and Wolfman Jack. It is nostalgic and mirror into a different time as Dreyfus and Howard’s characters are headed off to college the next day. The movie spawned the TV show “Happy Days” which eventually led to “Laverne and Shirley” as a spin-off.

Each of these movies are nostalgic in nature. Kids are coming of age and wondering what it is all about. “Breaking Away” is set in the 1970s, “Summer of 42” is obviously set during the 1940s and “American Graffiti” is at the brink of the 1960s. Kids have not changed in this outlook to discover what is it all about. Today’s kids are more technologically advanced and are seeing a world change at a fast pace, yet they have many of the same questions.

To me, I go back to “Breaking Away” and the father son chat at the end between Christopher and Dooley’s characters. Christopher and his fellow mates have always felt and been put down as “cutters” short for stone cutters. As they walked through IU’s campus, the father notes “we” carved these beautiful stones that made these buildings on campus, but once they were erected, we felt the buildings were too good for us. The son responds “I don’t mind being a cutter.” The Dad says, “You’re not a cutter. I am cutter.” He is telling his son, do not limit yourself by what I accomplished. Go find yourself.

And, that is the best advice for any of us. Go find yourself. That may be why we liked “Wild” the most of the three newer movies, as Witherspoon’s character was looking to find the woman her mother knew was always there.

From Pirates to Parrot Heads – a tribute to Jimmy Buffett (a reprise)

Some of the most loyal fans in music are lovingly referred to as “Parrot Heads,” given the name by the focus of their attention, the wannabe pirate, Jimmy Buffett. The singer, songwriter and pied-piper romanticizes the rebel deep within all of us by envying the pirate lifestyle of few rules and more imbibing. From one of his reflective songs, “A Pirate Looks at 40,” Buffett sings:

Yes, I am a pirate two hundred years too late
Cannons don’t thunder there’s nothin’ to plunder
I’m an over forty victim of fate
Arriving too late, arriving too late

While it is truly hard to find a Buffett song where imbibing does not occur, his words are extremely reflective of humanity and our imperfections. Like a sailor away from port, he often thinks fondly of people, places and times. Since he is a sailor as well, this may be where his songwriting originates. My favorite Buffett song “He Went to Paris” is one of those reflective songs, where an old sailor retired to the islands recounts his story when prodded. He went off to Paris, full of energy and then… Here are the first few verses:

He went to Paris looking for answers
To questions that bothered him so
He was impressive, young and aggressive
Saving the world on his own

But the warm summer breezes
The French wines and cheeses
Put his ambition at bay
The summers and winters
Scattered like splinters
And four or five years slipped away

Then he went to England, played the piano
And married an actress named Kim
They had a fine life, she was a good wife
And bore him a young son named Jim

And all of the answers and all of the questions
Locked in his attic one day
‘Cause he liked the quiet clean country living
And twenty more years slipped away

This song is extra special to me as I would sing it to my kids as we rocked in the glider before they fell asleep. Probably, my second favorite Buffett song and one of his bigger hits is “Changes in Latitude, Changes in Attitude.”  Here are a few of his reflections:

Reading departure signs in some big airport
Reminds me of the places I’ve been
Visions of good times that brought so much pleasure
Makes me want to go back again
If it suddenly ended tomorrow
I could somehow adjust to the fall
Good times and riches and son of a bitches
I’ve seen more than I can recall

But, Buffett had a fun side, where he explained his and our own foibles. One of those songs has a fun title “We are the People our Parents Warned about.”

We are the people there isn’t any doubt
We are the people they still can’t figure out
We are the people who love to sing twist and shout
Shake it up baby
We are the people our parents warned us about (do do do dooo)

I also enjoy some of the clever references in many of his songs which provide mental context, such as what Desi Arnaz wore in “I Love Lucy.”  In “Pencil Thin Mustache,” he sings:

That’s why I wish I had a pencil thin mustache
The Boston blackie kind
A two-toned Ricky Ricardo jacket
And an autographed picture of Andy Devine

Oh, I could be anyone I wanted to be
Maybe suave Errol Flynn or the sheik of Araby
If I only had a pencil thin mustache
Then I could do some cruisin’ too

Buffett has a huge inventory of songs that his Parrot Heads can sing word for word. I think that is why he chose the name of his fans. His biggest hits “Come Monday” and “Margaritaville” are surrounded by wonderful songs such “Boat Drinks,” “Cheeseburger in Paradise,” “The Captain and the Kid,” “The Last Tango in Paris,” “Grapefruit-Juicy Fruit,” “Volcano,” and  so on. As this tribute could go on forever, let me end with our sailor theme with words from another classic “A Son of a Son of a Sailor.”

As the son of a son of a sailor
I went out on the sea for adventure
Expanding the view of the captain and crew
Like a man just released from indenture

As a dreamer of dreams and a travelin’ man
I have chalked up many a mile
Read dozens of books about heroes and crooks
And I learned much from both of their styles

I love Buffett’s ability to make us also romanticize, reflect, laugh and sometimes cry. It may be because he dared to be the rebel on occasion, but it his ability to tell us about it that brings us Parrot Heads along for the journey.

In a final note, Parrot Heads exist in all shapes and colors. In my business travels and meetings, I have been pleasantly surprised by the number of Parrot Heads I have met along the way. My favorite story is of a straight laced female HR person who had a picture of her and her husband with Buffett on her credenza. “I did not know you were a Parrot Head?” I asked and we had a much more jovial meeting.

Quirky traits or actions that add to a movie or television show

The movie “My Big Fat Greek Wedding” is a delightful film written by and starring Nia Vardolis. One of the charming recurring features of the story is her father, played by Michael Constantine, uses Windex to cure any physical problem. A funny moment is on the ride to the wedding reception, when she confides to her new husband, played by John Corbett, that she woke up with this big zit. He said he did too, but her father fixed it with Windex.

These little quirky traits make the movie a better window into real life characters. The trait may actually be a physical one, which can be even more endearing. In “Motherless Brooklyn,” starring and directed by Ed Norton, his detective role has Tourette’s Syndrome long before anyone knew to call it that. He would shout out uncontrollably things that popped into his head. It was done in great taste as part of the storyline and actually was a useful trait to endearing himself to people he wanted to interview.

There is a television series based out of Canada called “Coroner” starring Serinda Swan (not to be confused with a BBC show called “The Coroner”) as Dr. Jenny Cooper. Swan is recently widowed and moved her teenage son to take this job as a needed change. But, she suffers from PTSD and anxiety that we learn is due to her sister’s death as child. So, when her medications are not regulated, she has disabling attacks. To add further, she is a sleepwalker resulting from these issues.

Leaving the more serious traits aside, the most humorous quirky character contrived built on the skills of Don Knotts as Barney Fife in “The Andy Griffith Show.” The funniest example of Fife’s quirkiness is Andy would not trust him with a loaded gun, but Fife needed to have one. So, Andy let him carry an empty gun, with one bullet in his buttoned shirt pocket. So, the funniest scenes occurred when Fife had to go for his bullet when in perceived danger. The writers deserve a medal for that one.

Going back to the movies, our friend Hugh likes to bring up one of the best character actors around, Strother Martin. He appeared in two popular Paul Newman movies. In “Cool Hand Luke,” Martin played a corrupt warden in a southern prison where Newman was a detainee. But, the movie is accentuated with Martin’s great line after he would take action to quell an uprising from a rebellious prisoner. He would say “What we got here…is a failure to communicate.” Martin would use his drawl to elongate the words.

In the movie “Butch Cassidy and the Sundance Kid,” with Newman and Robert Redford, Martin shows up late in the movie that had started to drag a little bit. When the bandits went to Bolivia to try to have regular jobs, they worked to guard a payroll under Martin’s management. Martin chewed tobacco and as he rode his horse, he would spit the excess juice out. You learn after several spits, he would say “Dammit” when the juice dribbled onto his chin and “Bingo” when he successful expelled the juice. He also called his two man crew “morons” when they were worried coming down the mountain. He said “we don’t have any money coming down the mountain.”

There are many quirky characters on television shows that I have written about before such as Abby Sciuto on “NCIS” played by Pauley Perrette and Penelope Garcia on “Criminal Minds” played by Kirsten Vangsness. But, the quirkiest character may have been the lead in “Monk” played by Tony Shalhoub. A former police detective, Adrian Monk suffers from intensified obsessive-compulsive disorder and a variety of phobias since the murder of his wife. Yet, his OCD helps him solve crimes given his attention to detail.

These folks are endearing or maddening dependent on the role or scene. I recognize fully I skipped over many other great examples. Let me know some of your favorite quirky characters and why.

Movies that kindle (or rekindle) a song

While watching a re-run of the movie “Ghost” with Demi Moore and Patrick Swayze, I was reminded of how a song can be kindled, or in this case, rekindled into pop culture. The Righteous Brothers had a huge hit that has been covered by many called “Unchained Melody.” But, one very seductive scene between the two leads elevated interest in both pottery making and this old classis from years before.

This got me thinking of other songs which were a key part of the movie. Note, I am not considering musicals which have several songs (“The Sound of Music” or “Saturday Night Fever,” eg) or movies that have marvelous soundtracks like “The Last of the Mohicans” or “Out of Africa.” The purpose is to note dramatic movies that include a key song.

In no particular order, here are ten songs and the movies that created them. This is not a Top Ten list, so please share ones I overlooked. I know I missed many.

“Ghost” and “Unchained Melody” by the Righteous Brothers – see above

“The Breakfast Club” and “Don’t you forget about me” by Simple Minds – in my view, this was the best of the Brat Pack movies, but the song became an anthem to rebellious youth.

“To Sir with Love” and “To Sir with Love” by Lulu – This is a brilliant movie with Sidney Poitier. Lulu accentuates the student’s feelings for their teacher with this marvelous song.

“The Graduate” and “Mrs. Robinson” by Simon and Garfunkel – Anne Bancroft, Katharine Ross and Dustin Hoffman star in this unusual film of seduction. An instrumental song is part of the movie soundtrack, until it is sung in full.

“Live and Let Die” and “Live and Let Die” by Paul McCartney and Wings – there are many James Bond songs to choose from, but this one was one of the more rock and roll ones.

“Billy Jack” and “One Tin Soldier” by Coven – Billy Jack was a cult hero in a cult movie as he took on big money as they unseated Native American rights. This is very powerful song of rebellion that has been used for protests.

“The Princess Bride” and “Storybook Love” by Mark Knopfler – Knopfler and his wonderful guitar and deep and raspy voice lend themselves to this charming and well done tale of adventure.

“Titanic” and “My Heart will go on” by Celine Dion – this is arguably one of Dion’s greatest songs, as it tells the story of love, love lost and living on after loss, the theme of the movie..

“Pat Garrett and Billy the Kid” and “Knock, knock, knocking on heaven’s door” by Bob Dylan – Dylan had a bit part in this movie with Kris Kristofferson and James Coburn.

“Top Gun” and “You’ve lost that lovin’ feeling” by the Righteous Brothers – I give this duo a second song because of the importance the song had in Tom Cruise’s character wooing Nicole Kidman’s.

Let me know what you think. Do you like these choices? Which ones did I miss? I would love to hear from you.

City on the Edge of Forever

If you are an original Star Trek fan, you will recognize “City on the Edge of Forever” as arguably the finest episode. This award winning episode was written by Harlan Ellison and co-starred a newcomer actress named Joan Collins, who would become a TV star and appear in several movies.

Per the vision of creator Gene Roddenberry, the original Star Trek was steeped in existential questions posed by some very good scriptwriters. Questions regarding prejudice, hatred, good vs. evil, the Roman, Greek and Egyptian gods who visited earth being aliens, doing no harm when visiting a civilization, etc. The “City on the Edge of Forever” dealt with someone altering a small event in time, that changed the world and future.

I will avoid spoiler alerts, but the gist of this episode is a very drugged Dr. McCoy, played by DeForest Kelly, goes back in time through a previously unknown portal. He winds up on earth in New York City right before World War II where he meets a pacifist advocate played by Collins. For some reason, McCoy alters the course of history and the Enterprise no longer exists., fortunately after Captain Kirk (played by William Shatner) and Mr. Spock (played by Leonard Nimoy) have beamed down to the location of the portal.

In essence, they go back in time to when McCoy did, to figure out what happened. While here Kirk meets Collins’ character and they become mutually smitten. Spock discovers the two paths forward, the one that McCoy altered vs. the one which occurred. The story boils down to should something you detest happening, be allowed to happen, so as not to impact millions of lives in not a good way. I will leave it at that.

Setting aside the science fiction aspect, the story is well crafted and well acted. Most of the stories were, although a few were kind of cheesy. The original series was short-lived, but its reruns built a huge audience.

One of the more powerful sidebars comes from Nichelle Nichols, who played Uhura, the communications officer. She met Martin Luther King at an event. King was a fan of the show, and when he learned Nichols was considering leaving it, he encouraged her to stay. King said seeing a Black woman on the show made a huge statement as to what the future might look like.

So, I feel I stand in good company if MLK liked the show. Check this episode out if you can. For those who have not seen it and plan to do so, you may want to avoid the comments.

More than James Bond – Sean Connery RIP

Of course, I am biased, but the best actor to play the character James Bond is the first – Sean Connery. I am sure others might argue more recent actors fit the bill, but he is my number one. We should celebrate the life of Connery with his passing this weekend at the age of 90.

Yet, he was far more than James Bond, both from a movie standpoint and everyday life standpoint. On the former, one of my favorite movies of all time is “The Man who would be King,” which Connery starred in with his friend and prolific actor Michael Caine. It is truly a spellbinding adventure of two friends who were British soldiers stationed in India.

Another favorite is also not a Bond movie, yet Connery won an Academy Award for Best Supporting Actor, “The Untouchables” with Kevin Costner and Robert De Niro. Connery makes the movie, in my view, and apparently in the view of the Oscar voters. His character’s chance meeting Eliot Ness is a good example, when Ness asks why he believes that Ness is a Federal agent – Connery’s character said why would anyone confess to being that if he were not?

One of the best ensemble movies that Connery starred in was “The Hunt for Red October” based on the Tom Clancy novel. A stellar cast of Alec Baldwin, James Earl Jones, Tim Curry, Sam Neill among others made this great movie even better.

Another favorite movie is “The Presidio” with Mark Harmon and Meg Ryan. This one did not get the fanfare as the others, but it has a good plot and is well-acted. Connery character leads base security at the Presidio in San Francisco (as a retired soldier) and must solve a crime with Harmon’s police character, who is not a fan of the military, but is of Connery’s daughter played by Ryan.

Let me finish with another favorite called “Finding Forrester.” Connery plays a recluse writer who befriends a young teen played by Rob Brown who tries to rob his apartment in New York. Brown’s character keeps a journal that falls out of his pocket. Connery’s character sees promise in the journal, then corrects all the poor grammar and returns it to him. This movie also has one of the best covers of “Over the Rainbow” as it fades out. Below is a link to this version from the movie.

Connery made several other movies, including “Indiana Jones and the Last Crusade,” which endeared him to the younger crowd. Since that movie is mentioned often along with the Bond movies, I will only mention it here. He also was in a movie called “In the Name of the Rose,” about a murder at an abbey, which is entertaining, as well as being unusual. As for my favorite Bond movie with Connery, “Goldfinger” would likely be it as it has two of the best villains in the title character and his armed guard “Odd Job.”

As for his personal life, I was unaware of his advocacy for Scottish independence. He spoke in front of the Scottish parliament to elicit their support. He also was used by the Scottish tourism industry to sell his country as a destination. There could be none better. I read once, maybe from Caine’s biography, that Connery was a very prepared actor. When he arrived at the movie set he was ready to go.

Connery will be missed by his fans and Scottish citizens.

https://www.bing.com/videos/search?q=over+the+rainbow+song+from+Finding+Forrester&docid=608033478179556756&mid=13E11396D5CD25424A9C13E11396D5CD25424A9C&view=detail&FORM=VIRE

The Buffalo Soldier – a good read about relationships in tough times

The recipe is simple, but tragic. Mix in a young couple living in Vermont who loses their twin daughters to a terrible flood. Season with a ten-year old African-American foster child that they take in two years later. Understand the couple grieves differently and the husband has a one night affair that produces a pregnancy. Finally, layer in a kind, retired couple across the street, one of whom is a retired history professor who introduces the boy to a book on an African-American regiment called the Buffalo Soldiers. What results is an excellent book by Chris Bohjalian called “The Buffalo Soldier.”

The book is told in first person, through the eyes of five sets of characters. Laura, the young wife, works at a pet shelter. Terry, the husband, is a Vermont state trooper. Alfred is the young boy who has moved from foster home to foster home. Phoebe is the woman who Terry becomes infatuated with and is the expectant mother of his child. And, the Heberts, Paul and Emily, are the retired couple whose view is told together. Bohjalian alternates the first person narrative by chapter which provides perspective.

Alfred becomes fascinated with the Buffalo Soldiers, especially after Paul tells him the Native Americans gave them that name as an honor. To them, the buffalo gave life – food, clothing, shelter – so they revered the animal. This becomes important when Paul and Emily get a horse and ask Alfred to help. Alfred is treated differently by others because there are not many African-Americans in this small town or his school, so the Buffalo Soldiers intrigue him and give him a connection.

The story has many relationships, but the foster family is at the heart of it. As noted therein, losing one child is trying to a family, but losing both of your only children can cause relationships to end. As noted above, people grieve differently and for long periods of time. So, while Alfred helps bring Laura out of her grief, Terry has still not stopped being mad at the world and misses how his relationship with his wife was before the death of the twins.

Each chapter begins with a little paragraph on the Buffalo Soldiers, so we see what Paul and Alfred find so compelling about them. I will stop there so as not to reveal any more of the plot. Give it a read and let me know what you think. Please avoid the comments in case others have already read it.

Atlanta Rhythm Section – smooth but less known

The Atlanta Rhythm Section (ARS) is likely not a top of mind group. They formed as a session band in the early 1970’s emphasizing a rhythm guitar sound. Some of its members were in an earlier band, “The Classics IV,” while others came from “Candymen.” From Wikipedia:

“In the spring of 1970, three former members of the Candymen (Rodney Justo, Dean Daughtry and Robert Nix) and the Classics IV (Daughtry and James B. Cobb, Jr.) became the session band for the newly opened Studio One recording studio in Doraville, Georgia, near Atlanta.

After playing on other artists’ recordings, the Atlanta Rhythm Section was formed in 1971, with Rodney Justo (singer), Barry Bailey (guitar), Paul Goddard (bass), Dean Daughtry (keyboards), Robert Nix (drums) and James (J.R.) Cobb (guitar).”

ARS had a few hits “So into you,” “I’m not going to let it bother me tonight,” “Doraville,” “Imaginary Lover,” and a remake of a Classics IV hit “Spooky.” Another hit called “Champagne Jam” highlighted an Atlanta summer music festival by the same name.

The group is easy to listen to. One reason I highlight them is I used to live near Doraville when I was in university in Atlanta. If I had to recommend three songs – “So into you,” “Imaginary Lover” and “Spooky” have a universal appeal. I have provided a link to “Spooky” at the end. Let me know what you think.

Here are a few of the lyrics of each:

So into you

When you walked into the room
There was voodoo in the vibes
I was captured by your style
But I could not catch your eyes

Now I stand here, helplessly
Hoping you’ll get into me

I am so into you
I can’t think of nothing else
I am so into you
I can’t think of nothing else

Imaginary lover

Imaginary lovers
Never turn you down
When all the others turn you away
They’re around
It’s my private pleasure
Midnight fantasy
Someone to share my
Wildest dreams with me
Imaginary lover you’re mine anytime
Imaginary lovers, oh yeah

Spooky

In the cool of the evenin’ when ev’rything is gettin’ kind of groovy
I call you up and ask you if you’d like to go with me and see a movie
First you say “no”, you’ve got some plans for the night
And then you stop, and say, “all right”
Love is kinda crazy with a spooky little girl like you

Each of these these songs will likely resonate with their interesting lyrics and subject matter. I love the phrase “I am so into you,” as it conveys a deeper feeling than love or lust. “Imaginary lover” is self-explanatory, while “Spooky” reminds us of the person who fascinated us, but we probably should have not gotten involved with.

https://www.bing.com/videos/search?q=atlanta+rhythm+section+spooky&qpvt=atlanta+rhythm+section+spooky&FORM=VDRE