From Pirates to Parrot Heads – a tribute to Jimmy Buffett (a reprise)

Some of the most loyal fans in music are lovingly referred to as “Parrot Heads,” given the name by the focus of their attention, the wannabe pirate, Jimmy Buffett. The singer, songwriter and pied-piper romanticizes the rebel deep within all of us by envying the pirate lifestyle of few rules and more imbibing. From one of his reflective songs, “A Pirate Looks at 40,” Buffett sings:

Yes, I am a pirate two hundred years too late
Cannons don’t thunder there’s nothin’ to plunder
I’m an over forty victim of fate
Arriving too late, arriving too late

While it is truly hard to find a Buffett song where imbibing does not occur, his words are extremely reflective of humanity and our imperfections. Like a sailor away from port, he often thinks fondly of people, places and times. Since he is a sailor as well, this may be where his songwriting originates. My favorite Buffett song “He Went to Paris” is one of those reflective songs, where an old sailor retired to the islands recounts his story when prodded. He went off to Paris, full of energy and then… Here are the first few verses:

He went to Paris looking for answers
To questions that bothered him so
He was impressive, young and aggressive
Saving the world on his own

But the warm summer breezes
The French wines and cheeses
Put his ambition at bay
The summers and winters
Scattered like splinters
And four or five years slipped away

Then he went to England, played the piano
And married an actress named Kim
They had a fine life, she was a good wife
And bore him a young son named Jim

And all of the answers and all of the questions
Locked in his attic one day
‘Cause he liked the quiet clean country living
And twenty more years slipped away

This song is extra special to me as I would sing it to my kids as we rocked in the glider before they fell asleep. Probably, my second favorite Buffett song and one of his bigger hits is “Changes in Latitude, Changes in Attitude.”  Here are a few of his reflections:

Reading departure signs in some big airport
Reminds me of the places I’ve been
Visions of good times that brought so much pleasure
Makes me want to go back again
If it suddenly ended tomorrow
I could somehow adjust to the fall
Good times and riches and son of a bitches
I’ve seen more than I can recall

But, Buffett had a fun side, where he explained his and our own foibles. One of those songs has a fun title “We are the People our Parents Warned about.”

We are the people there isn’t any doubt
We are the people they still can’t figure out
We are the people who love to sing twist and shout
Shake it up baby
We are the people our parents warned us about (do do do dooo)

I also enjoy some of the clever references in many of his songs which provide mental context, such as what Desi Arnaz wore in “I Love Lucy.”  In “Pencil Thin Mustache,” he sings:

That’s why I wish I had a pencil thin mustache
The Boston blackie kind
A two-toned Ricky Ricardo jacket
And an autographed picture of Andy Devine

Oh, I could be anyone I wanted to be
Maybe suave Errol Flynn or the sheik of Araby
If I only had a pencil thin mustache
Then I could do some cruisin’ too

Buffett has a huge inventory of songs that his Parrot Heads can sing word for word. I think that is why he chose the name of his fans. His biggest hits “Come Monday” and “Margaritaville” are surrounded by wonderful songs such “Boat Drinks,” “Cheeseburger in Paradise,” “The Captain and the Kid,” “The Last Tango in Paris,” “Grapefruit-Juicy Fruit,” “Volcano,” and  so on. As this tribute could go on forever, let me end with our sailor theme with words from another classic “A Son of a Son of a Sailor.”

As the son of a son of a sailor
I went out on the sea for adventure
Expanding the view of the captain and crew
Like a man just released from indenture

As a dreamer of dreams and a travelin’ man
I have chalked up many a mile
Read dozens of books about heroes and crooks
And I learned much from both of their styles

I love Buffett’s ability to make us also romanticize, reflect, laugh and sometimes cry. It may be because he dared to be the rebel on occasion, but it his ability to tell us about it that brings us Parrot Heads along for the journey.

In a final note, Parrot Heads exist in all shapes and colors. In my business travels and meetings, I have been pleasantly surprised by the number of Parrot Heads I have met along the way. My favorite story is of a straight laced female HR person who had a picture of her and her husband with Buffett on her credenza. “I did not know you were a Parrot Head?” I asked and we had a much more jovial meeting.

Quirky traits or actions that add to a movie or television show

The movie “My Big Fat Greek Wedding” is a delightful film written by and starring Nia Vardolis. One of the charming recurring features of the story is her father, played by Michael Constantine, uses Windex to cure any physical problem. A funny moment is on the ride to the wedding reception, when she confides to her new husband, played by John Corbett, that she woke up with this big zit. He said he did too, but her father fixed it with Windex.

These little quirky traits make the movie a better window into real life characters. The trait may actually be a physical one, which can be even more endearing. In “Motherless Brooklyn,” starring and directed by Ed Norton, his detective role has Tourette’s Syndrome long before anyone knew to call it that. He would shout out uncontrollably things that popped into his head. It was done in great taste as part of the storyline and actually was a useful trait to endearing himself to people he wanted to interview.

There is a television series based out of Canada called “Coroner” starring Serinda Swan (not to be confused with a BBC show called “The Coroner”) as Dr. Jenny Cooper. Swan is recently widowed and moved her teenage son to take this job as a needed change. But, she suffers from PTSD and anxiety that we learn is due to her sister’s death as child. So, when her medications are not regulated, she has disabling attacks. To add further, she is a sleepwalker resulting from these issues.

Leaving the more serious traits aside, the most humorous quirky character contrived built on the skills of Don Knotts as Barney Fife in “The Andy Griffith Show.” The funniest example of Fife’s quirkiness is Andy would not trust him with a loaded gun, but Fife needed to have one. So, Andy let him carry an empty gun, with one bullet in his buttoned shirt pocket. So, the funniest scenes occurred when Fife had to go for his bullet when in perceived danger. The writers deserve a medal for that one.

Going back to the movies, our friend Hugh likes to bring up one of the best character actors around, Strother Martin. He appeared in two popular Paul Newman movies. In “Cool Hand Luke,” Martin played a corrupt warden in a southern prison where Newman was a detainee. But, the movie is accentuated with Martin’s great line after he would take action to quell an uprising from a rebellious prisoner. He would say “What we got here…is a failure to communicate.” Martin would use his drawl to elongate the words.

In the movie “Butch Cassidy and the Sundance Kid,” with Newman and Robert Redford, Martin shows up late in the movie that had started to drag a little bit. When the bandits went to Bolivia to try to have regular jobs, they worked to guard a payroll under Martin’s management. Martin chewed tobacco and as he rode his horse, he would spit the excess juice out. You learn after several spits, he would say “Dammit” when the juice dribbled onto his chin and “Bingo” when he successful expelled the juice. He also called his two man crew “morons” when they were worried coming down the mountain. He said “we don’t have any money coming down the mountain.”

There are many quirky characters on television shows that I have written about before such as Abby Sciuto on “NCIS” played by Pauley Perrette and Penelope Garcia on “Criminal Minds” played by Kirsten Vangsness. But, the quirkiest character may have been the lead in “Monk” played by Tony Shalhoub. A former police detective, Adrian Monk suffers from intensified obsessive-compulsive disorder and a variety of phobias since the murder of his wife. Yet, his OCD helps him solve crimes given his attention to detail.

These folks are endearing or maddening dependent on the role or scene. I recognize fully I skipped over many other great examples. Let me know some of your favorite quirky characters and why.

Movies that kindle (or rekindle) a song

While watching a re-run of the movie “Ghost” with Demi Moore and Patrick Swayze, I was reminded of how a song can be kindled, or in this case, rekindled into pop culture. The Righteous Brothers had a huge hit that has been covered by many called “Unchained Melody.” But, one very seductive scene between the two leads elevated interest in both pottery making and this old classis from years before.

This got me thinking of other songs which were a key part of the movie. Note, I am not considering musicals which have several songs (“The Sound of Music” or “Saturday Night Fever,” eg) or movies that have marvelous soundtracks like “The Last of the Mohicans” or “Out of Africa.” The purpose is to note dramatic movies that include a key song.

In no particular order, here are ten songs and the movies that created them. This is not a Top Ten list, so please share ones I overlooked. I know I missed many.

“Ghost” and “Unchained Melody” by the Righteous Brothers – see above

“The Breakfast Club” and “Don’t you forget about me” by Simple Minds – in my view, this was the best of the Brat Pack movies, but the song became an anthem to rebellious youth.

“To Sir with Love” and “To Sir with Love” by Lulu – This is a brilliant movie with Sidney Poitier. Lulu accentuates the student’s feelings for their teacher with this marvelous song.

“The Graduate” and “Mrs. Robinson” by Simon and Garfunkel – Anne Bancroft, Katharine Ross and Dustin Hoffman star in this unusual film of seduction. An instrumental song is part of the movie soundtrack, until it is sung in full.

“Live and Let Die” and “Live and Let Die” by Paul McCartney and Wings – there are many James Bond songs to choose from, but this one was one of the more rock and roll ones.

“Billy Jack” and “One Tin Soldier” by Coven – Billy Jack was a cult hero in a cult movie as he took on big money as they unseated Native American rights. This is very powerful song of rebellion that has been used for protests.

“The Princess Bride” and “Storybook Love” by Mark Knopfler – Knopfler and his wonderful guitar and deep and raspy voice lend themselves to this charming and well done tale of adventure.

“Titanic” and “My Heart will go on” by Celine Dion – this is arguably one of Dion’s greatest songs, as it tells the story of love, love lost and living on after loss, the theme of the movie..

“Pat Garrett and Billy the Kid” and “Knock, knock, knocking on heaven’s door” by Bob Dylan – Dylan had a bit part in this movie with Kris Kristofferson and James Coburn.

“Top Gun” and “You’ve lost that lovin’ feeling” by the Righteous Brothers – I give this duo a second song because of the importance the song had in Tom Cruise’s character wooing Nicole Kidman’s.

Let me know what you think. Do you like these choices? Which ones did I miss? I would love to hear from you.

City on the Edge of Forever

If you are an original Star Trek fan, you will recognize “City on the Edge of Forever” as arguably the finest episode. This award winning episode was written by Harlan Ellison and co-starred a newcomer actress named Joan Collins, who would become a TV star and appear in several movies.

Per the vision of creator Gene Roddenberry, the original Star Trek was steeped in existential questions posed by some very good scriptwriters. Questions regarding prejudice, hatred, good vs. evil, the Roman, Greek and Egyptian gods who visited earth being aliens, doing no harm when visiting a civilization, etc. The “City on the Edge of Forever” dealt with someone altering a small event in time, that changed the world and future.

I will avoid spoiler alerts, but the gist of this episode is a very drugged Dr. McCoy, played by DeForest Kelly, goes back in time through a previously unknown portal. He winds up on earth in New York City right before World War II where he meets a pacifist advocate played by Collins. For some reason, McCoy alters the course of history and the Enterprise no longer exists., fortunately after Captain Kirk (played by William Shatner) and Mr. Spock (played by Leonard Nimoy) have beamed down to the location of the portal.

In essence, they go back in time to when McCoy did, to figure out what happened. While here Kirk meets Collins’ character and they become mutually smitten. Spock discovers the two paths forward, the one that McCoy altered vs. the one which occurred. The story boils down to should something you detest happening, be allowed to happen, so as not to impact millions of lives in not a good way. I will leave it at that.

Setting aside the science fiction aspect, the story is well crafted and well acted. Most of the stories were, although a few were kind of cheesy. The original series was short-lived, but its reruns built a huge audience.

One of the more powerful sidebars comes from Nichelle Nichols, who played Uhura, the communications officer. She met Martin Luther King at an event. King was a fan of the show, and when he learned Nichols was considering leaving it, he encouraged her to stay. King said seeing a Black woman on the show made a huge statement as to what the future might look like.

So, I feel I stand in good company if MLK liked the show. Check this episode out if you can. For those who have not seen it and plan to do so, you may want to avoid the comments.

More than James Bond – Sean Connery RIP

Of course, I am biased, but the best actor to play the character James Bond is the first – Sean Connery. I am sure others might argue more recent actors fit the bill, but he is my number one. We should celebrate the life of Connery with his passing this weekend at the age of 90.

Yet, he was far more than James Bond, both from a movie standpoint and everyday life standpoint. On the former, one of my favorite movies of all time is “The Man who would be King,” which Connery starred in with his friend and prolific actor Michael Caine. It is truly a spellbinding adventure of two friends who were British soldiers stationed in India.

Another favorite is also not a Bond movie, yet Connery won an Academy Award for Best Supporting Actor, “The Untouchables” with Kevin Costner and Robert De Niro. Connery makes the movie, in my view, and apparently in the view of the Oscar voters. His character’s chance meeting Eliot Ness is a good example, when Ness asks why he believes that Ness is a Federal agent – Connery’s character said why would anyone confess to being that if he were not?

One of the best ensemble movies that Connery starred in was “The Hunt for Red October” based on the Tom Clancy novel. A stellar cast of Alec Baldwin, James Earl Jones, Tim Curry, Sam Neill among others made this great movie even better.

Another favorite movie is “The Presidio” with Mark Harmon and Meg Ryan. This one did not get the fanfare as the others, but it has a good plot and is well-acted. Connery character leads base security at the Presidio in San Francisco (as a retired soldier) and must solve a crime with Harmon’s police character, who is not a fan of the military, but is of Connery’s daughter played by Ryan.

Let me finish with another favorite called “Finding Forrester.” Connery plays a recluse writer who befriends a young teen played by Rob Brown who tries to rob his apartment in New York. Brown’s character keeps a journal that falls out of his pocket. Connery’s character sees promise in the journal, then corrects all the poor grammar and returns it to him. This movie also has one of the best covers of “Over the Rainbow” as it fades out. Below is a link to this version from the movie.

Connery made several other movies, including “Indiana Jones and the Last Crusade,” which endeared him to the younger crowd. Since that movie is mentioned often along with the Bond movies, I will only mention it here. He also was in a movie called “In the Name of the Rose,” about a murder at an abbey, which is entertaining, as well as being unusual. As for my favorite Bond movie with Connery, “Goldfinger” would likely be it as it has two of the best villains in the title character and his armed guard “Odd Job.”

As for his personal life, I was unaware of his advocacy for Scottish independence. He spoke in front of the Scottish parliament to elicit their support. He also was used by the Scottish tourism industry to sell his country as a destination. There could be none better. I read once, maybe from Caine’s biography, that Connery was a very prepared actor. When he arrived at the movie set he was ready to go.

Connery will be missed by his fans and Scottish citizens.

https://www.bing.com/videos/search?q=over+the+rainbow+song+from+Finding+Forrester&docid=608033478179556756&mid=13E11396D5CD25424A9C13E11396D5CD25424A9C&view=detail&FORM=VIRE

The Buffalo Soldier – a good read about relationships in tough times

The recipe is simple, but tragic. Mix in a young couple living in Vermont who loses their twin daughters to a terrible flood. Season with a ten-year old African-American foster child that they take in two years later. Understand the couple grieves differently and the husband has a one night affair that produces a pregnancy. Finally, layer in a kind, retired couple across the street, one of whom is a retired history professor who introduces the boy to a book on an African-American regiment called the Buffalo Soldiers. What results is an excellent book by Chris Bohjalian called “The Buffalo Soldier.”

The book is told in first person, through the eyes of five sets of characters. Laura, the young wife, works at a pet shelter. Terry, the husband, is a Vermont state trooper. Alfred is the young boy who has moved from foster home to foster home. Phoebe is the woman who Terry becomes infatuated with and is the expectant mother of his child. And, the Heberts, Paul and Emily, are the retired couple whose view is told together. Bohjalian alternates the first person narrative by chapter which provides perspective.

Alfred becomes fascinated with the Buffalo Soldiers, especially after Paul tells him the Native Americans gave them that name as an honor. To them, the buffalo gave life – food, clothing, shelter – so they revered the animal. This becomes important when Paul and Emily get a horse and ask Alfred to help. Alfred is treated differently by others because there are not many African-Americans in this small town or his school, so the Buffalo Soldiers intrigue him and give him a connection.

The story has many relationships, but the foster family is at the heart of it. As noted therein, losing one child is trying to a family, but losing both of your only children can cause relationships to end. As noted above, people grieve differently and for long periods of time. So, while Alfred helps bring Laura out of her grief, Terry has still not stopped being mad at the world and misses how his relationship with his wife was before the death of the twins.

Each chapter begins with a little paragraph on the Buffalo Soldiers, so we see what Paul and Alfred find so compelling about them. I will stop there so as not to reveal any more of the plot. Give it a read and let me know what you think. Please avoid the comments in case others have already read it.

Atlanta Rhythm Section – smooth but less known

The Atlanta Rhythm Section (ARS) is likely not a top of mind group. They formed as a session band in the early 1970’s emphasizing a rhythm guitar sound. Some of its members were in an earlier band, “The Classics IV,” while others came from “Candymen.” From Wikipedia:

“In the spring of 1970, three former members of the Candymen (Rodney Justo, Dean Daughtry and Robert Nix) and the Classics IV (Daughtry and James B. Cobb, Jr.) became the session band for the newly opened Studio One recording studio in Doraville, Georgia, near Atlanta.

After playing on other artists’ recordings, the Atlanta Rhythm Section was formed in 1971, with Rodney Justo (singer), Barry Bailey (guitar), Paul Goddard (bass), Dean Daughtry (keyboards), Robert Nix (drums) and James (J.R.) Cobb (guitar).”

ARS had a few hits “So into you,” “I’m not going to let it bother me tonight,” “Doraville,” “Imaginary Lover,” and a remake of a Classics IV hit “Spooky.” Another hit called “Champagne Jam” highlighted an Atlanta summer music festival by the same name.

The group is easy to listen to. One reason I highlight them is I used to live near Doraville when I was in university in Atlanta. If I had to recommend three songs – “So into you,” “Imaginary Lover” and “Spooky” have a universal appeal. I have provided a link to “Spooky” at the end. Let me know what you think.

Here are a few of the lyrics of each:

So into you

When you walked into the room
There was voodoo in the vibes
I was captured by your style
But I could not catch your eyes

Now I stand here, helplessly
Hoping you’ll get into me

I am so into you
I can’t think of nothing else
I am so into you
I can’t think of nothing else

Imaginary lover

Imaginary lovers
Never turn you down
When all the others turn you away
They’re around
It’s my private pleasure
Midnight fantasy
Someone to share my
Wildest dreams with me
Imaginary lover you’re mine anytime
Imaginary lovers, oh yeah

Spooky

In the cool of the evenin’ when ev’rything is gettin’ kind of groovy
I call you up and ask you if you’d like to go with me and see a movie
First you say “no”, you’ve got some plans for the night
And then you stop, and say, “all right”
Love is kinda crazy with a spooky little girl like you

Each of these these songs will likely resonate with their interesting lyrics and subject matter. I love the phrase “I am so into you,” as it conveys a deeper feeling than love or lust. “Imaginary lover” is self-explanatory, while “Spooky” reminds us of the person who fascinated us, but we probably should have not gotten involved with.

https://www.bing.com/videos/search?q=atlanta+rhythm+section+spooky&qpvt=atlanta+rhythm+section+spooky&FORM=VDRE

A famous actor whose scenes were cut entirely

The other day I was watching the last half of the movie “The Big Chill” which is a favorite movie of many as well as me. The movie also has one of the best sound tracks as it features several Motown hits.

The cast is amazingly deep in recognizable names now, but they were just starting out then. As I recall, Lawrence Kasdan, the director, got everyone to hang out together before the movie filming to bond as friends. Since the movie is about old friends reuniting, he wanted them to have a basis to start from.

One of the later famous names never made the cut – Kevin Costner. Costner played the friend who committed suicide that caused the sad reunion. But, all of his scenes were cut except for his body being zipped up in a body bag at the start of the movie. Costner would go on to star and direct a number of movies rivaling that of any of the uncut stars of the movie – Glenn Close, Tom Berenger, William Hurt, Meg Tilly, Kevin Kline, Jeff Goldblum, JoBeth Williams and Mary Kay Place.

That was the right call, as it added to the movie for his friends to remember him, celebrate his life and lament his passing. If we had seen him, some of that mystery would have been lost. We learned he turned down a great scholarship which gave him notoriety, but he lamented that decision later.

To me, William Hurt and Meg Tilly steal the movie. Tilly plays the younger girlfriend of Costner’s character. Her perspective adds to the movie as when she responds to a question if her boyfriend was happy and says “I don’t know that many happy people. How do they act?” Yet, each actor is allowed to shine and offer both comedy and drama.

Do you agree with the directors’ decisions to cut these scenes in the movie? What are some of your favorite parts of the movie? What other actors and actresses have been cut out of movies to your knowledge?

The Princess Bride – a fun movie for all

Start with a beautiful heroine, a cavalier pirate, and an evil prince. Add one giant of a man, an eleven fingered bad guy, a Spanish swordsman, a scheming genius and a host of other great characters. Finish up with a great story read by a grandfather to his sick grandson and you have the delightfully charmlng “The Princess Bride.” About five years ago I wrote a post on this movie, which I will repeat below. “The Princess Bride” is a movie the whole family can watch and enjoy during our sheltering-at-home time.

“Mawwiage. Mawwiage is what bwings us together today.” Although this line is picking on people with speech impediments, in the context of the movie “The Princess Bride” it is quite comical, as it is uttered by the magnificently attired priest who is conducting a wedding service for the bride to her unloved groom. It is so unexpected it becomes farcical. And, that is one of the reasons why this Rob Reiner movie is so entertaining. It does so many unexpected things and all ages will enjoy the story, as narrated by a grandfather, Peter Falk, as he reads to his grandson played by “The Wonder Years” star Fred Savage.

The story fascinates as it begins with true love between a young girl played by Robin Wright in her first movie (before “Forrest Gump” and “House of Cards”) and a farm hand played by Cary Elwes, who would go on to star in “Robin Hood, Men in Tights.” They get separated and she catches the eye of a hated prince played wonderfully by Chris Sarandon. The prince’s greed, though, overtakes his lust and he sends her off for a visit to another land where he asked three interesting hired assassins to kill her, so he can blame the other country and grow his realm.

Without giving away too much of the movie, the Dread Pirate Roberts enters the picture to save her and has to ward off the assassins, the prince’s henchman, and torture. The three assassins are played wonderfully by Wallace Shawn (now appearing on “Young Sheldon”), whose catchphrase is “inconceivable,” Andre the Giant (the former pro-wrestler) and Mandy Patinkin as a swashbuckling Spaniard out for revenge for his father’s death. Andre the Giant turns out to be quite the comedic actor in several scenes. Patinkin’s passion for vengeance is also room for comedy and heroics.

But, other actors play wonderful roles in large cameo parts and other scenes. Billy Crystal and Carol Kane are quite funny playing Miracle Max and his wife. Christopher Guest plays the prince’s henchman quite well, especially as he is inquiring into the pain reactions of the Dread Pirate Roberts in his contrived torture chamber. Mel Smith has a fun cameo as the torturer and Peter Cook, is the magnificent lisping priest.

Yet, the idea to have Falk read the story to Savage makes the movie feel like a fairy tale. Especially when the dream scenes are read and Savage reacts rather annoyed to the story. The story includes perils such as the fire swamp with its ROES, Rodents of Enormous Size, as well as fighting off the talents of three assassins and even overcoming death. We learn the difference between “Mostly Dead” and “Totally Dead” from Miracle Max. Yes, it is silly especially when the future princess is booed by a character played by Margery Mason, which turns out to be one of the dreams that Savage does not care for.

Reiner’s directing and casting of this wonderful movie make it a treat for all ages. The screenplay and book were written by William Goldman. Reiner’s inclusion of Mark Knopfler (of Dire Straits) in developing the soundtrack and writing the best song “Storybook Love,” which was sung by Willy DeVille, makes it even more special. I have tried to stay away from much of the plot for those who have not seen the movie. If you have not and you have children or grandchildren, download this movie, make some popcorn and turn the lights low. If you have seen it, still follow the above steps, as the kids and all in the family will get a treat.

Saturday songs for reflection

In an effort to offer a diversion, I thought it might be fun to take a peek at songs written about Saturday. Here are five that offer a little variety.

Saturday Night’s Alright for Fighting by Elton John and Bernie Taupin.
This song is more rock and roll than other Elton/ Taupin songs giving a nice change of pace.

Here is the chorus:
“Oh, don’t give us none of your aggravation
We had it with your discipline
Oh, Saturday night’s alright for fighting
Get a little action in
Get about as oiled as a diesel train
Gonna set this dance alight
‘Cause Saturday night’s the night I like
Saturday night’s alright alright alright, ooh”

Saturday In The Park by Robert Lamm performed by Chicago
This is my favorite song about Saturday. Lamm captures the fun day at the park attitude. Here are the first two stanzas:

“Saturday in the park,
I think it was the Fourth of July
Saturday in the park,
I think it was the Fourth of July
People dancing, people laughing
A man selling ice cream
Singing Italian songs
Everybody is another
Can you dig it (yes, I can)
And I’ve been waiting such a long time
For Saturday”

Saturday Night by Bill Martin and Phil Coulter performed by Bay City Rollers
This is a fun song, but my least favorite on this short list. I do remember the song punctuating “The Midnight Special” hosted by Wolfman Jack. Here are the first two stanzas:

“S-A-T-U-R-D-A-Y night!
S-A-T-U-R-D-A-Y night!
S-A-T-U-R-D-A-Y night!
S-A-T-U-R-D-A-Y night!

Gonna keep on dancing
To the rock and roll
On Saturday night, Saturday night
Dancin’ to the rhythm
In our heart and soul
On Saturday night, Saturday night.”

Another Saturday Night by Sam Cooke
A close second to Chicago’s “Saturday in the Park” is Sam Cooke’s classic. It has been covered by Cat Stevens, Jimmy Buffett and others, but Cooke’s version is like velvet. Here are the first two stanzas.

“Another Saturday night
And I ain’t got nobody
I got some money ’cause I just got paid
Now, how I wish I had someone to talk to
I’m in an awful way
Let me tell you ’bout it, lookie here
I got in town a month ago
I seen a lotta girls since then
If I could meet ’em I could get ’em
But as yet I haven’t met ’em
That’s why I’m in the shape I’m in.”

Come Saturday Morning by Fred Karlin and Dory Previn performed by The Sandpipers
This is a nice little tune released in 1970. The Sandpipers give a harmonized 60’s feel to it, but it has been covered by Tony Bennett and Liza Minelli to name a few. Here are the first two stanzas.

“Come Saturday morning
I’m goin’ away with my friend
Well Saturday-spend ’til the end of the day-ay
Just I and my friend

We’ll travel for miles in our Saturday smiles
And then we’ll move on
But we will remember
Long after Saturday’s gone.”

Let me know what you think. Did I miss one of your favorites? I toyed with adding Billy Joel’s “Piano Man,” which starts out “It is a pretty good crowd for a Saturday, as the regular crowd shuffles in.” But, with Saturday not in the title, I left it out, except for this honorable mention.