In too many places, history is being white washed to limit exposure to examples of civil rights and economic censorship that people in authority imposed on minority groups. In too many places the civil, voting and economic rights of minorities are being suppressed. It is not a stretch to say the former is being done to grease the skids of the latter happening again.
Yet, there is a history lesson that may seem inconsequential, but is quite illustrative. With Jim Crow laws in full bore, black musical artists were prevented from being heard on the significant majority of white radio stations. To make matters worse, white artists would cover the black artists songs making more money with the larger white audiences.
So, these black artists went where they were welcome and played overseas. They were so appreciated, they influenced a significant number of young people who would become musicians or were already headed down that path. Many British musicians cited the influence of Muddy Waters, Chuck Berry, BB King, Little Richard, Howling Wolf, Hounddog Taylor, Etta James, et al.
Back in the 1960s, a musical British Invasion was occurring. Groups like The Beatles, Rolling Stones, Cream, Blind Faith, The Who, Deep Purple, The Yardbirds, The Hollies, and individuals like Eric Clapton, Steve Winwood, Dusty Springfield, among many others were hitting it big in the states. These artists were successful as they introduced white Americans to music spawned in America but purposefully suppressed from many outlets or watered down by other artists. Clapton started in a group called The Bluesbreakers because of his love of the Blues.
Saying it differently, the black music was white washed from many American ears. Further, two white artists who were highly successful emulating black artists – Elvis Presley and Jerry Lee Lewis – were having difficulties staying in the musical limelight (one was drafted and the other married his 13-year-old cousin), as record producers went very vanilla and safe with their music highlighting Pat Boone, Bobby Vinton, Connie Francis and other more pop style artists. I remember white teens and young adults craving to hear the black artists. It is a reason Beach Music exists as the northern radio stations could be heard down the coast in the Carolina beaches. The kids could not hear the unplayed music inland. So, when they went to the beach, they would ask what is that sound coming from the radio?
There are two lessons here. One is when leaders limit what children can learn, they limit their education, creativity and innovation. We must learn from our history, the good and the bad. The other is people find a way to circumvent efforts to restrict things. If they hear or see snippets of something interesting, they will want more. Yet, we should not limit them so much, that others benefit more and have to teach us what we are missing. Innovation comes from intersections of creativity like within the cross over parts of a Venn diagram. If we don’t let that happen, the innovation will occur elsewhere. And, where innovation occurs, so will the job creation
Recognizing music is a metaphor, think of how the US had fallen in math and science rankings. The US ranks 23rd and 27th, which does not bode well for American Exceptionalism which is touted more than it should be. Education spawns creativity and innovation. If we limit what kids learn, we limit what they will create.